IKKI TILDA IJOD QILGAN SHOIR
The world of subjects in "Nazm Ul-Javahir"...
THE ATTITUDE OF THE LANGUAGE OF UZBEK...
THE ROLE OF INTONATION IN CINEMA LANGUAGE
ADABIYOT OLAMIDA INSONIYAT OLAMI TASVIRI
THE CONCEPT OF FILM LANGUAGE AND ITS...
FOLKLOR AN’ANALARINING BADIIY ADABIYOTGA...
Kino tili tushunchasi va uning o'ziga xos...
NURALI KABUL‘S ARTISTIC INTERPRETATION OF...
Morfema va uning turlari
THE IMAGE OF THE MOUNTAINBEG IN THE WORK...
“QADIMGI TURKIY TILDA SO’Z TURKUMLARI”...
THE PROBLEM OF MAN AND NATURE IN THE STORY
Umumta’lim maktablarda adabiyot fanini...
The language of Uzbek films of the...
BO`LAJAK PEDAGAGOGLARNI KOMPYUTER...
Activity of Cholpan in the literary...
“Шуҳрат шеърларида фалсафийлик”
КИНО ТИЛИДА АДАБИЙ МЕЪЁРНИНГ УРНИ
ASARLARDA KONFLIKTNING O‘RNI
The issue of literary norms in the...
XARAKTER INKISHOFIDA MAQOL VA MATALLARNING...
O'zbek kinofilmlari nomlarining ortologik...
Nurali Qobul ijodıda ayol ruhiyati tasviri
TILNING TARIXI HAQIDA AYRIM MULOXAZALAR
MAHALLIY SHAROIT VA QAHRAMONNING...
HAMID OLIMJONNING “ENG GULLAGAN YOSHLIK...
“БУҒДОЙ ПИШИҒИГА ЕТМАГАНЛАР” ҚИССАСИДА...
The teachings of Hurufism and Nasimi's...
Jizzax adabiy muhit
